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Tales of Persia’s Wondrous Past [The ‘Shahnameh’ mourns the loss of Iran’s pre-Islamic...]
Wall Street Journal: Leisure & Arts ^ | 7/25/2009 | EMILY ESFAHANI SMITH

Posted on 07/25/2009 7:51:02 PM PDT by sionnsar

Before the Islamic Revolution dimmed the Iranian literary imagination in 1979, and before an expanding Islam swept Iran into its Arab empire in the seventh century, there existed the rich and colorful Iran recounted in Ferdowsi’s “Shahnameh,” or the Book of Kings. Nearly four centuries after the Arab conquest, the “Shahnameh” tells the story of pre-Islamic Iran—when Persian civilization was at its zenith.

The epic proceeds through the reign of many monarchs, chronicling the at times legendary, at times mythological, and at times quasihistorical stories of each reign. Then, with the Arab conquest, the chronicle comes to an end. This might seem to mark the end of Persian civilization, too. But Ferdowsi’s masterpiece, composed about A.D. 1000, both went on to inspire the greatest Persian miniature paintings and retrieved Iran’s lost identity—along with its language, which still survives.

The epic is not only a remembrance of a wondrous past but a mourning of the passing of that history and all that falls prey to “the absolute of all tyrants, time,” says Azar Nafisi. ...

(Excerpt) Read more at online.wsj.com ...


TOPICS: Books/Literature; History; Poetry
KEYWORDS: faithandphilosophy; godsgravesglyphs; shahnameh
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To: norton

I was going to just let it slide, but someone encouraged me not to. There are smart, informed people on FR, many who are powerful people. We’re studied by smart, informed opposition in power, too. I’m talking all over the world. Private. Public. Retired. Rich. Barely making it. Many experts. Even people who were killed in 9/11 showed up previously (Barbara Olson comes to mind).

I’ve only tangled with a few folks here, and I’m not one to start something, either.

Signing up to post is a big decision for any of us. Respecting those that have (except the zot worthy, Viking Kitty, bunny pancake types) is critical. No one here knows all of what the other guy knows—or who.

But you knew all that. Thanks for the comment.

Boots


21 posted on 07/27/2009 10:18:57 AM PDT by combat_boots (The Lion of Judah cometh. Hallelujah. Gloria Patri, Fili et Spiritus Sancti.)
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To: odds; LibreOuMort

Odds, do you have suggestions for an English/American translation of “Shahnameh” (Shahmaneh?)?


22 posted on 07/27/2009 7:02:44 PM PDT by sionnsar (IranAzadi|5yst3m 0wn3d-it's N0t Y0ur5:SONY|Neda Agha-Soltan - murdered by regime of murder)
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To: sionnsar; nuconvert

Sorry for late reply, I’ve been offline last 24 hours.

I think the English translation of Ferdowsi’s Shah-Nameh
(Shah”maneh” was a typo of course) by Dick Davis is a very good one - it is generally accepted by quite a few Iranian scholars as being one of or the best in English. Although, personally, I have not read the entire publication in English. When I went to school in Iran during the Shah’s era we read the Shah-Nameh in Persian.


23 posted on 07/27/2009 10:21:51 PM PDT by odds
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To: combat_boots

“If you didn’t want opinions and agreement, which the post was ment to do, why not expect someone whose study goes back decades?”

Nothing against your opinion. I’m sure there are a lot of non-Iranians who are knowledgeable about many aspects of Iranian literature, history and so forth.

Since I happen to be part Iranian, and went to school in Iran during the Shah’s era, the foundation of my knowledge about Iranian history, folklore, literature and poetry comes from that source.

Thanks for mentioning Mary Renault. I’d also suggest you read Abdolhossein Zarrinkoub’s classic book entitled “Two Centuries of Silence”. It is considered one the most reliable sources on the history of Persia after Islam (which includes the Abbassid Arab Caliphate rule of Iran).


24 posted on 07/27/2009 10:46:50 PM PDT by odds
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To: combat_boots

p.s. - as much as your opinion is respected & we aren’t playing poker, your opinion does not change the facts outlined in comment #10. Particularly the last paragraph.


25 posted on 07/28/2009 12:49:10 AM PDT by odds
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To: sionnsar; nuconvert

nuconvert: I had a closer look at a couple of articles in the google (Persian) search page you posted earlier. They suggest that there are numerous mistakes and shortcomings in the Moscow edition. The one replacing the infamous Moscow one, in Farsi, is a critical edition by Djalal Khaleghi-Motlagh (1988). This won the Saidi-Sirjani Book Award (first prize) in 1996.

https://www.eisenbrauns.com/ECOM/_2PK0A20H9.HTM

sionnsar: an additional note about Dick Davis: his is the prose version in English, and is somewhat condensed, although still very good. A more complete earlier English translation in full and in verse is by Arthur and Edmond Warner. It is quite expensive too, apparently, around $180 per volume - there are 9 volumes. I have not, personally, read this one.

Hope this helps.


26 posted on 07/28/2009 1:56:13 AM PDT by odds
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To: odds; nuconvert; LibreOuMort
Sorry for late reply, I’ve been offline last 24 hours.

odds, no problem. When I travel (even domestic travel) I often spend much more time than that away from FR.

I don't know Parsi and only know a little of the alphabet, so my only hope right now is a translation. Though I suspect a translator would have a very difficult task to translate the nuances of Persian expression into English (and vice versa). I remember years ago trying to read Pushkin's poetry in English... though the translator was highly regarded, it fell absolutely flat. Lifeless. Dead. Not even up to pining for the fjords.

The Shahnameh by Dick Davis -- LoM, taking note?... never mind, just placed it on hold with the library.

27 posted on 07/28/2009 6:46:16 PM PDT by sionnsar (IranAzadi|5yst3m 0wn3d-it's N0t Y0ur5:SONY|Neda Agha-Soltan - murdered by regime of murder)
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To: sionnsar

You’re very right, a translator won’t do at all.

Even reading it in its original Parsi verse, for a native, educated & fluent Persian speaking person, it requires quite a lot of interpretation, as well as cultural understanding of the time/era during which it was written. That is why the critical edition (in Persian) by Djalal Khaleghi-Motlagh (#26) is so very important.

I just noticed the previous link doesn’t work any more. Hopefully this one will last a bit longer.

https://www.eisenbrauns.com/ECOM/_2PM0BHF8F.HTM

” Djalal Khaleghi-Motlagh, who has also given us the only critical edition of this major text, the Shahnameh, has now provided several volumes of notes to his edition. The Notes clarify not only the form and meaning of words, their developments and their orthography, but also discuss the structures and the authenticity of dubious verses through a careful examination of their episodes in a comparative context.”


28 posted on 07/30/2009 2:38:56 AM PDT by odds
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